Exploring Figuration
Artists have continually reimaged the human figure. While some have followed tradition and others have rebelled against it, all share the same desire to grapple with questions surrounding the universality of the human experience. Spanning modernist to contemporary works, this exhibition charts a history of artistic engagement with figuration.
The end of the 19th century beckoned in the Modern age with artists seeking new perspectives on the figure. With the rise of abstraction in the 1900s, interest in the figure was rejuvenated as an act of revolt. Rejecting the idea that referencing the physical world was unnecessary, artists took the body as a starting point for their interpretations. Recently, a new focus on figuration has emerged, anchored on new conceptual shifts. Perpetually reimagined, politicised, contorted, and scrutinised, the human figure is the most fascinating and enduring of subjects.
-
Camille Pissarro, Porteuse de Fagots, c. 1883
-
Edgar Degas, Chez la modiste (modiste garnissant un chapeau), c.1885
-
Paul Cezanne, L’Enfant au Chapeau de Paille / Bords du Lac d’Annecy (verso), 1896
-
Pierre-Auguste Renoir, Nu Assis, c. 1900-1902
-
Theophile-Alexandre SteinlenLa Promenade, c. 1900Pastel on paper28 1/2 x 33 1/2 in, 72.4 x 85 cmSigned 'Steinlen' lower right
-
Georges d'EspagnatFemme au chapeau, c. 1906Oil on canvas25 5/8 x 21 1/4 in, 65 x 54 cmSigned 'GdE' upper rightSold
-
Edgar DegasDanse espagnole, c.1885Bronze
Conceived circa 1885 and cast between 1919 and 1953 in an edition of 20 numbered A to T plus 2 casts reserved for the Degas heirs marked HER.D and HER by the A. A. Hébrard Foundry, Paris16.26 x 6.9 x 6.5 in, 41.3 x 17.6 x 16.6cmStamped ‘Degas’ (Lugt 658), the foundry mark ‘Cire Perdue A. A. Hébrard’ and numbered ‘20/F’ -
Henri Matisse, Petite Tête aux cheveux striés, 1906-1907
-
Auguste RodinL'éternel printemps, second état, 4ème réduction, dite aussi "no.2'", 1884Bronze
This reduction was conceived in 1898 and cast by the Alexis Rudier foundry in 19279 3/4 x 13 x 7 7/8 in, 24.7 x 33 x 20 cmInscribed 'Rodin', stamped with foundry mark and stamped with raised signature 'A. Rodin' -
Jacques Lipchitz, Personnage Assis (Étude pour la sculpture), April 1918
-
Louis MarcoussisDeux dormeurs, 1937Oil on cardboard mounted on a stretcher14 3/4 x 24 1/8 in, 37.6 x 61 cmSigned and dated 'marcoussis 1937' lower rightSold
-
Alexander Archipenko, Statue on a Triangular Base, 1914 / 1958
-
Marc ChagallFenêtre ouverte sur famille au village, 1962Oil, Indian ink, coloured ink and pencil on canvas10 1/2 x 8 5/8 in, 26.7 x 21.9 cmEstate stamp 'Marc / Chagall' lower leftSold
-
Raoul Dufy, L'atelier de l'artiste au Havre, 1929
-
Marc Chagall, Le peintre devant 'le soleil rouge' , 1965
-
Henry Moore, Maquette for Reclining Figure, Conceived in 1945
-
Henry Moore, Three Figures Seated In a Landscape, 1950-51
-
Baltasar Lobo, Torse penché dans l'espace, 1970
-
Baltasar LoboOberstdorf, 1971Marble18 1/8 x 10 5/8 x 5 1/2 in, 46 x 27 x 14 cmSigned 'Lobo'
-
Henry MooreSemi-Seated Mother and Child, c.1981Bronze
Edition 2 of 9 cast by the Fiorini Foundry, London5 1/2 x 7 3/4 x 4 3/4 in, 14 x 19.7 x 12 cmInscribed with the artist's signature and numberedSold -
Lynn ChadwickThree Standing Figures, 1987Bronze
Conceived in 1987 and cast in 2000 by PangolinFigure I: 13 ins, 33 cmSold
Figure II: 12 5/8 ins, 32.1 cm
Figure III: 11 3/4 ins, 29.8 cm -
Jean DubuffetPersonnage et paysage, 1962Gouache on paper laid down on canvas18 7/8 x 16 1/8 in, 48 x 41 cmSigned and dated 'JD 62' lower left
-
Lynn Chadwick, Maquette VII Walking Woman, 1986
-
Howard Hodgkin, Untitled (After Lunch), 1981
-
Shani Rhys JamesStudio Head, 2010Oil on gesso board11 3/4 x 9 7/8 in, 30 x 25 cmSigned verso
-
Henry MooreTeatime, 1981Ballpoint pen, wax crayon, gouache, watercolour wash on T.H. Saunders watercolour paper5 1/2 x 5 1/8 in, 14 x 13 cmSigned 'Moore' lower leftSold